编剧指纹透露，《白夜追凶》会有第二季
头脑简单却拥有百万家产的安托瓦爱上了年轻美貌的帕达丽夏，整日纠缠不休。为了摆脱这个令人讨厌的家伙，帕达丽夏雇佣了一个叫西蒙的男人假装自己的丈夫。此刻帕达丽夏的父母正在国外旅行，为了给帕达丽夏的父亲一个惊喜，母亲花重金买下了一块传说蕴藏丰富石油的土地作为生日礼物送给他，但很快大家发现卖土地的人是一个骗子。为了把这块土地转手卖出去，父亲想到了追求女儿的安托瓦。 但此时帕达丽夏已经有了“丈夫”，考虑到快要为了这块土地而发疯的父亲，帕达丽夏只得同意把安托瓦约到家中度周末，并慌称西蒙是自己刚从国外回来的哥哥。 西蒙和岳父向安托瓦大力推荐着那块可以令他发财的土地，正巧帕达丽夏外出旅行的弟弟保尔带着女友帕尔玛回到家中。于是一家人开始一起演出这场闹剧。帕达丽夏用自己的魅力吸引着安托瓦的注意，父亲则使出浑身解数想要安托瓦签支票买下土地。 西蒙看出帕尔玛有问题，用计套出了帕尔玛的真实身份。她原本只是一个夜总会的女招待，看到保尔出手大方，便骗保尔说自己是将军的女儿。事实上她只是想得到保尔的财产。此次在保尔家，帕尔玛发现安托瓦比保尔更有钱，于是改投安托瓦怀抱。西蒙和帕尔玛达成协议，只要帕尔玛引诱安托瓦签支票，西蒙就不会在众人面前透露她的底细。 安托瓦最终同意买下这块土地，他已经被帕尔玛迷得天旋地转。安托瓦带着帕尔玛回到自己家，帕达丽夏终于摆脱了他。此刻帕达丽夏和西蒙之间产生了非常微妙的感情，西蒙终于成为了帕达丽夏真正的丈夫。
《琴动我心》讲述了一个曾经破碎的家庭，一对矛盾重重的父女，在经历了一系列坎坷之后，重归于好的故事。电影围绕着“钢琴”这个主线展开，一个性格倔强、偏执于艺术的父亲，一个外表叛逆、才华横溢的女儿，两代人的矛盾纠结和情感故事通过钢琴紧紧联系在一起。导演周伟曾经担任过《英雄》的 副导演，他表示，这是一个用亲情互相拯救的故事，最后每个人都找到了各自心灵的归宿。 高曙光扮演陷入中年危机的父亲，戏份吃重的女儿一角，则由名不见经传的武汉女孩邬祯琳扮演。这个1995年出生的女孩是地道的“90后”，曾就读于武汉外校，自幼学习钢琴，也有在美国和澳大利亚留学的经历，因此在片中也算是本色演出。
元龟二年夏，早川的又七（藤原釜足饰）、太平（千秋实饰）被困秋月无法返家，只因秋月战败于山名，故山名重兵把守秋月早川的边境以防秋月的雪姬（上原美佐饰）逃亡。二人在山中遇见了秋月武士真壁六郎太（三船敏郎饰）和雪姬，并在不知对方真实身份的情况下与其共同运送木柴取道山名向早川进发，只因觊觎藏在木柴里的金条。真壁的计谋帮助四人顺利通过了秋月山名的边关，而雪姬不忍看秋月女子（樋口年子饰）在山名受辱，命真壁赎之。五人运木柴赶路，忽被四名山名兵盘查。真壁当机立断杀死两人，又飞身上马追杀逃掉的两人。一路追至敌营，遇见了山名武士田所兵卫（藤田进饰）。二人相见恨晚，较量许久，难分高下……
内详
Alithea Binnie虽然对生活还算满意，但对世界却抱着怀疑的态度。 在伊斯坦布尔，她遇到了一个精灵，后者向她提议用自由换取实现三个愿望。 但Alithea学识非常渊博，她知道与许愿有关的故事都没有好结局。精灵于是向她解释了这么做的原因，并讲述了自己辉煌的过往。 她被精灵讲述的故事所吸引，最终许下一个最令人惊讶的愿望。
在天下失序、列强割据的战乱时代，僧人祥庵将一名孤儿从中国带到了日本。孤儿名叫仔太郎，他背负着一个惊人的秘密。与祥庵失散后，孤苦无依的仔太郎带着爱犬飞丸前往赤池之国的万觉寺，在途中遇见了神秘剑士“无名”。仔太郎遭到追杀，危急时刻无名救了他一命。从此两人结伴同行。性格乖僻的浪人和紧闭心扉的少年虽然磕磕碰碰不断，但渐渐成了好朋友。 白鸾率领的追杀组织还是抓住了仔太郎，他们开始着手筹备某种仪式。金发碧眼的剑士“罗狼”也是追杀组织中的一员，他虽然听命行事但并不真正在意组织的目的，对他来说，寻找可以与自己匹敌的对手才是生命的意义。罗狼与无名之间的生死对决拉开了帷幕……
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
Aïlo: an odyssey in Lapland tells the fight for the survival of a small wild reindeer, frail and vulnerable to the challenges that punctuate his first year. qiwan.cc Its awakening to the wild world is a real tale in the heart of the grandiose landscapes of Lapland.
10月22日 22-23赛季德甲第11轮 多特蒙德VS斯图加特
电视剧《官能小说家》、《靛蓝色的心情》系列的第三部，也是最终章。 故事描绘了竹财饰演的木岛理生，和猪冢饰演的久住春彦，两人怀抱着对彼此的心意却还是产生了隔阂，为共同的未来而纠结苦恼的身影。
落魄作家为了写作素材，寻访到了一个叫做吴邪（鹿晗 饰）的古董铺子老板，而吴邪正准备离开这个城市，临走之前，吴邪和他讲诉了关于自己奇怪的盗墓家族往事，并说出了自己第一次随家族探险所经历的诡异事件：那一次他们的家族因为偶然获取了一件特殊的青铜器， 追根溯源，寻找到了被掩埋在中国西北盆地中的西王母古国，他们招募了一批盗墓贼一同前往古城遗址探险，进入了位于古城地下的西王母陵中，发现了当年周穆王于西王母求长生不死之术的真相。作家听完吴邪的故事，却发现其中有很多疑点，吴邪到底说的是自己的臆想，还是真相更加可怕复杂，因为吴邪的离开变成了永恒之谜。