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  • 2014 9.0

    侨女日记

    李雯雯(丁绮 饰)一家为了完成爷爷李隆(韩新民饰)的愿望,回到了故土厦门。李雯雯转学到爷爷的母校——具有百年历史的诚毅中学就读,和陈晨(黄诗佳 饰)等成为同班同学。 此时恰逢诚毅中学恢复重办“诚毅讲堂”,学校话剧社的同学们决定以该校校友——著名爱国女英雄李林的生平事迹为题材 ,排演一部话剧在“诚毅讲堂”上进行演出,话剧社社长萧峰(刘钊宏 饰)选定了李雯雯担任这个角色。然而话剧的排演过程并不顺利……

  • 1959 9.0

    安妮少女日记

    影片取材于MelissaMuller出版的《AnneFrank》,这本日记已经被翻译成五十五种文字,销售二千四百万册,成为仅次于圣经的一本最畅销的读物。日记记录时间从1942年6月12日到1944年8月1日。在被纳粹占领的荷兰阿姆斯特丹,因犹太人受到的迫害日渐严重,OttoFrank携一家隐藏在一个调味品生产工厂的阁楼上。后又商人Kraler和Miep,以及另外一家人VanDaan和牙医Dussel也来此处隐藏。几家人住在一起等待盟军解放荷兰。从1942年到1944两年间,AnneFrank(米莉·佩金斯MilliePerkins饰)开始记日记。在这2年多的时间里,里面记载了她的感受,她的恐惧和隐藏人员间的关系。后因有人告发,纳粹士兵把隐藏在此的人统统送入了集中营,Frank一家除了OttoFrank没有逃离厄运。

  • 2022 4.0
  • 2018 4.0

    核弹英雄

    本片以班度族五子构成的新时代组合为噱头,讲述了上个世纪末,印度陆军冲破美国中央情报局和巴基斯坦特工的重重围追堵截,成功进行了核弹爆炸试验的热血故事。

  • 2022 9.0

    克丽欧的红色复仇

    柏林墙倒塌后,一名前/间/谍/杀/手/获释,并对合谋背叛她的人展开疯狂报复。

  • 1958 6.0

    不安分的年轻人们

    Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

  • 1988 6.0

    血裸祭

    是一部三级警匪片电影。它叙述警方如何侦破和消灭无恶不作的邪教过程。 邪教近日作恶多端,不独械劫,强迫,生剥少女祭神,还混入警署,掳劫和枪杀不少警方人员。公然向专案小组挑战。  私家侦探小魏受富商委托,侦查其独生女失踪事,事件明显涉及邪教,故招致被杀。 已退出江湖的黑道红人雷坤,因老友小魏被杀,和不值邪教所为,毅然插手和警方消灭邪教小组马Sir里应外合,把邪教的主要领导人和邪教大本营消灭了。虽然如此,但邪教仍未完全灭绝,余党仍四处为患,警方仍要面对邪教的挑战。

  • 2023 4.0
  • 1995 5.0

    西环浮尸

    故事改编自1994年在香港西环发生的西环杀嫂浮尸案,由林义雄担任导演及编剧,黄港强监制,名威影业有限公司出品,唯美电影制作有限公司制作,东方电影发行有限公司发行。本片亦是导演林义雄在其执导的2部奇案片之中其中一部代表作。虽然本片在上映时票房不佳,但随着近年港产片时代的影碟濒濒绝版,该片由真人真事改编,题材取自1994年香港西环杀嫂浮尸案,讲述西环海港附近有人发现了一具无头及被锯去了四肢,只剩半身的女性浮尸。面蒙心精凶杀组督察欧振球虽屡破棘手奇案,却对这宗无头浮尸凶案感到束手无策。几天后,饭店老板李伟民不见妻子多时,四处找寻不获,向警方报案。向欧振球道出其妻燕与其弟李建民不合的家庭内幕。欧振球刚巧在李伟民家中一次小解时,无意中找到一些血迹成为了丁点儿的破案线索,追查下终于揭发一个叔嫂惨剧.

  • 2014 8.0

    千万别眨眼

    十个人去旅行,然而他们却误打误撞来到了一个荒无人烟的山上。由于缺少返程的汽油,他们不得不到这个荒凉的山上和漆黑的老宅里探险。

  • 2018 4.0

    鬼三惊3

    高速公路:琵姆是高速公路收费站夜班收费员。凌晨三点钟在她当值的时候,一股邪恶力量正在威胁她的生命。 一夜情:谭是一个绘画修复者,喜欢参加各种派对和夜店。一天,谭遇见了一个神秘、性感的女人娜潘,并对她一见钟情。第二天凌晨三点钟,他找到娜潘并跟随她到她家。这个女人究竟是谁? 电视直销:山姆是一档电视购物节目的导演。他的组员和主持人打算合伙捉弄他。他们密谋了一系列奇异的事件,想要报复一下这个自大的导演。凌晨三点钟,导演助理欧接到了山姆女朋友的电话,她打电话来是告诉他,山姆在来电视台的路上出车祸死了。欧试图把这个消息告诉组员们,但是没人相信他的话。这时,所有灯瞬间熄灭,恶作剧开始了……

  • 2017 7.0

    责任

    沙迪(萨莱·巴克里 Saleh Bakri 饰)的妹妹就要结婚了,根据村里的传统,沙迪必须和父亲(穆罕默德·巴克里 Mohammed Bakri 饰)开着他们的小车,挨家挨户的当面将请柬送给亲戚朋友们。这也就意味着,沙迪一路上都要和自己久别重逢的父亲捆绑在一起。   沙迪对于父亲的很多生活习惯都非常的看不惯,觉得他思想顽固而落后,就像家乡里的大部分碌碌无为的人一样。在沙迪很小的时候,母亲无法忍受村里闭塞的环境,选择抛弃了丈夫和孩子们远走他乡,虽然沙迪失去了母爱,但是现在的他完全可以理解母亲当初的选择。随着旅行的行进,沙迪和父亲之间的关系越来越紧张起来。

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