在一座远离大都会吵闹喧嚣的平凡小镇，不甚兴旺的兔子山商业街内，生活着一群可爱有趣的人。故事的女主角北白川玉子（洲崎绫 配音）是当地饼店“玉屋”的长女，她性格活泼随和，擅长制作饮食，与对门面饼店“大路屋”的儿子大路饼藏（田丸笃志 配音）是一对青梅竹马，不过两家的爸爸是典型的同行冤家，彼此一见面便战火不断。这一日，玉子在花店意外发现一只会说话的鸟（山崎巧 配音）。鸟自称来自南方，肩负着神秘使命。鸟的到来自然为玉子和周边人的生活增添不少乐趣，而快乐浪漫的青春校园生活又令人心驰神往。 围绕着情人节、祭祀以及部团活动，兔子山商业街平凡而有趣的故事交替上演……
故事发生在一个古装戏剧组中，为了追自己的男神林一凡进入剧组的新人化妆师米游是一个神经大条的女生。作为林一凡的粉丝，米游面对男神经常做出一些啼笑皆非的举动，与此同时，诛仙世界梗中的碧瑶残魂为了躲避诛仙剑气的追捕逃脱到人类世界，并且选中米游作为载体。反派通天教为了获得诛仙剑阵和碧瑶残魂，让头目乾云化身为剧组小演员童童进入剧组。在乾云的引导下，米游渐渐的发现了事情的真相。为了帮助碧瑶回到诛仙世界，也为了自己能够活下去与林一凡长相厮守。米游决定担负起拯救诛仙世界的责任。 在实现目标的 过程中，米游与林一凡的感情从最早的厌恶与误解到后来的相爱，二人在困难的磨练中一步步成长发展。
物业维修员王海洋出于对自身外貌、经济状况等条件的自卑，迟迟不敢告白自己的暗恋对象罗曼文，偶然机会下他接触并使用了“爱情贷”APP的扫一扫功能和女神罗曼文拥有了一段短暂的恋爱时光，但由于额度限制和滥用额度，两人最终都失去了这段美好的回忆，王海洋为此也付出了意想不到代价。
故事接上集，为了完成阎罗王（李政宰饰）开出的条件，解怨脈（朱智勋饰）与德春（金香起饰）与凶悍的城主神（马东锡饰）展开决斗。江林（河正宇饰）也力劝一等兵（都暻秀饰）公开秀鸿意外死亡的真相，就在阴间使者们试图完成任务的同时，千年前，他们生前的悲剧也将被逐一揭开…
圣经里的秘密由中央电视台电影频道节目中心出品，主要介绍了1982年春，江州市检察院检察长方钊接到组织上的通知，出任江州市人大主任。江州市现任人大谭主任是方钊的老上级，也是战争年代功勋卓着的革命军人，1948年解放江州前夕，从事我党地下工作的方钊就对知识型智勇双全的谭指挥官十分的钦佩。江州解放后，谭主任一手组建了江州市的检察机构，培养了大批干部，方钊就是其中一个
李千云为完成家人的愿望和实现自己的梦想，踏上了追梦之旅。在青梅竹马方艺的陪同下，一起前往新的城市生活打拼。在飞行途中李千云因过度紧张而晕倒，幸好当时的空姐何霄霄救了他。靠着自己的努力李千云进入了航空培训基地，偶然的缘分让他又遇到了空姐何霄霄，在何霄霄的帮助下，李千云不断克服自己的困难，化解心结。李易凡隐藏自己富二代的身份追求方艺，欢喜冤家，亦真亦假。最终，李千云在经历了退学和停飞事件后，开始成长，最终成为一名合格的空乘，也开始尝试追求自己的幸福。爱的飞行模式才刚刚开启。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
个男生无意中发现自己的女教师（洪晓芸）被人强奸了，于是他勇敢地赶跑了那个强奸犯，而他自己也对老师由怜生爱，继而发生了不伦之恋。两人之间的亲密，引得他的女友（张萱）的不满，于是一场二女一男、欲海翻波的游戏开始…
2006年大学毕业的董家强与好友夏冻梨二人怀揣梦想一同来到北京，投奔已在北京闯荡的好友张少华。在经历数次创业失败之后，八年未曾归家的董家强意外得知家中早已发生变故，恍然觉悟，其实自己最该走的是归家之路。
讲述各种各样性格的刑警，通过分析案情一步步破案的过程。This drama outlines the various stories in which detective with strong personalities solve their ways through crimes with different investigative methods and know-hows.
棒球大联盟2nd漫画 ，棒球大联盟的续作。茂野大吾，职业棒球选手父亲，小学六年级。憧憬着父亲·吾郎开始打棒球！