意料之外的情节，意料之中的精彩 查理·布鲁克令人期待已久的黑暗讽刺独立单元剧现已回归，每一集都是对这部剧集的自我重塑。《黑镜》第六季是迄今为止最不可预测、最难以分类、最出人意料的一季。
中原王朝大兴国，一起隐秘的陈年旧事，引发当朝贤相身陷囹圄，家破人亡，不谙世事的相府大小姐受尽苦楚，一心寻找背后真相，与那远离朝堂纷争的二皇子相遇，遂女扮男装，伴其左右，潜伏在暗中调查自家冤案，在寻找真相的过程中与高冷的二皇子暗生情愫……
故事发生在上一作的20年之后，此时的简（艾米莉·莫迪默EmilyMortimer饰）与迈克尔（本·威士肖BenWhishaw饰）已经长大成人，两人都经历了人生的种种酸甜苦辣。妻子过世之后，迈克尔肩负起了养家和照顾孩子的职责，无奈安娜贝尔（皮格茜·戴维斯PixieDavies饰）、约翰（纳撒内尔·萨利赫NathanaelSaleh饰）和乔治（乔尔·道森JoelDawson饰）都颇有他们老爹当年的风范，调皮的可怕，令迈克尔一想起来就头皮发麻，只得召唤姐姐简前来帮忙。某日，孩子们在公园玩耍，一阵大风带来了从天而降的魔法保姆玛丽（艾米莉·布朗特EmilyBlunt饰），她的回归给这个岌岌可危的家庭带来了新的希望。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
男主吴有财,一个出生在农村、奋斗在城市的普通青年,盼望有朝一日能够飞黄腾达,好衣锦还乡、造福乡里。一次偶然机会他暂时扮演老板,期间回到村里,在虚荣心的驱使下夸下海口帮村里建校修路、借钱给村民办事,然而纸终包不住火,闹出一系列啼笑皆非的故事。
昔日赛车手梁晖（周游 饰）在目睹好友周晓杰（段博文 饰）意外死亡后一蹶不振，重新做回货车司机，却在一场车祸中意外发现好友遗物里的秘密，难道他还活着？实习医生田小心（郭姝彤 饰）爱上了从未赢过、总是被打得伤痕累累的拳手小孙（李程彬 饰），她想以爱之名救助小孙，却使一切背道而驰，两人的爱情能否逃过被设定的命运？身患绝症的小小（王柏杰 饰）终于找到了可以拯救自己性命的镜像人安先生（颜卓灵 饰），但一命换一命的生死抉择下，是两个渴望自由的灵魂，小小会对安先生下手吗？陪伴、告别、活着，面对命运无情的捉弄，心怀不甘的他们选择逆流而上，追寻自己的明日青春。
《北洋残案》主要讲述了民国那个时局动荡的时期遗留的数件民间残案，由一起“百尸渡河”引发百年历史的秘密即将被揭开，破案过程更是突破以往常规。本片由不同故事组成，以单元性破案为主环环相扣，玄幻、冒险、悬疑，整体营造神秘而又紧张的故事气氛，剧情烧脑吸引人去一探究竟。
在12岁生日那天，薇拉·沃德收到一份猫咪礼物，为她的密友们打开了一个充满魔法、会说话的动物和众多新奇事物的世界。
该系列舵手唐·曼西尼打造，讲述自从一起庭院拍卖会后，某小镇上出现了多起杀人案，被连环杀手灵魂附体的鬼娃娃恰奇，持刀索命来了。
不动霸王拳传人孙天磊每天不务正业，被死对头用美人计陷害伤心欲绝的孙天磊昏迷中发现自己被所有人误认为是孙悟空，被挟持着去救师父。然而贪生怕死的孙天磊不敢与魔王战斗，只得用各种办法逃脱。但命运和他开了个大大的玩笑，充斥着感情，仇恨，思念的人生始终脱不出轮回。面对因爱生恨寻找几百年的情侣，师兄弟和有父亲印记的有缘人，他会如何抉择?所有的一切是真实还是虚幻?
该片是根据特雷西·莱宁格·克雷文（TracyLeiningerCraven）写的同名小说中一个令人鼓舞的真实故事改编的，描述了美国历史上一个处于关键时刻的家庭。\r为了逃离德国的宗教迫害，莱宁格家族在未知的国家——美国寻求新的开始。现在是18世纪中期，英国和法国军队正在努力控制这片新领土的丰富资源。