赵天豪（狄龙饰）是中原镖局的总镖头，雷大刚（汪强饰）和杨云翼（龙隆饰）是他的结拜兄弟，左膀右臂。赵天豪有三个女儿，赵琪瑛（应晓薇饰）、赵梦娇（林秀玲饰）赵燕翎（杨丽菁饰），赵梦娇喜欢着雷大刚的义子郑青山，可是郑青山却钟情于知书达理的赵琪瑛，无奈赵琪瑛早已经有婚约在身。武功高强的司马不平（元彪饰）来到金陵城要同赵天豪一决高下，却被桀骜不驯的赵燕翎吸引了注意。赵天豪发现赵燕翎违反自己设下的禁令偷偷习武，大发雷霆，父女两人不欢而散。之后，一位神秘人现身，出高价要赵天豪保的，竟然是赵天豪自己的人头。从此，中原镖局平静的生活一去不复返，一股邪恶的势力在江湖之中蠢蠢欲动。
游戏改编剧《光环 Halo》确定由Showtime预定10集首季，Otto Bathurst负责执导部份集，此剧于定于2021年播出。 本项目由13年开始启动，但期间动作不多，在14年XBox En ertainment Studios闭门后转交给Showtime开发，历时4年终于成功发展成正剧。《光晕》系列讲述了26世纪时，人类与外星种族之间的史诗级宇宙战争。 在《美国众神 American Gods》有演出的Pablo Schreiber饰演核心人物士官长 Master Chief，他是人类阻止外星大军「星盟」毁灭文化的唯一希望。新晋演员Yerin Ha饰演16岁的Quan Ah，精明﹑胆大的她在殖民星的关键时刻遇上士官长。 Natascha McElhone会饰演两个角色，第一个是Catherine Halsey博士，她创造了超级士兵 - 斯巴达战士，同时她会饰演人造智能Cortana，它可能是人类能否生存下去的关键。Bokeem Woodbine饰演Soren-066，他是个道德观复杂的私掠船船长，即将与在军中时的军士长兼前好友 - 士官长有所冲突。Shabana Azmi饰演Margaret Parangosky上将，美国海军情报局的领导。 Bentley Kalu饰演斯巴达战士Vannak-134，有强化神经机器的他是个童年时期就被征召的超级士兵，士官长的副手﹑Natasha Culzac饰演斯巴达战士Riz-028，她是个专注﹑专业的士兵，犹如杀戮机器一般﹑Kate Kennedy饰演有胆识﹑好奇心重的斯巴达战士新人Kai-125。
该片是以与现代人关系密切的智能手机为素材的影片。
天降在襁褓时被遗弃，被武当山的道长收养，从小生活在空谷之中，不谙世事。成长过程耳闻目染，练就一身功夫同时也对道法领悟颇多。天降长大后负责观里的食物烹饪和采购，一次偶然的机会，天降被卷入物质世界的诱惑中，开始重新理解亲情、友情、爱情三大情感问题。这个从小在武当山长大的穷小子是怎样逆袭，获得白富美芳心？又怎样让富二代们刮目相看？一个用道家阴阳法化解世界丑恶的故事就此展开。
孤儿萨曼塔，和她的养父母以及妹妹奥利弗住在一起，但是他的养父并不喜欢她，老是责骂她。由于他们的家位于森林深处，所以回家必须经过森林，但是，他们不知道森林里有树怪，他们能诱捕儿童，然后把抓到的孩子困到他们的巢穴，然后再幻化成孩子的模样，回到他们的父母身边，所以数百年来，这片森林数百年来都有儿童走失的案例，不幸的是，由于萨曼塔的疏忽，让她的妹妹独自穿过森林，然后就被树怪掳走啦，接着就发生了一连串死亡事件，那么萨曼塔一家能够逃过一劫吗？
这部电影讲述的是毛泽东与陕甘宁边区发生的系列故事。1941年，边区的财政极度困难，为度难关，保证抗战顺利进行，边区政府催收爱国公粮，边区农民对此意见很大，影片中“武兰花事件”,毛泽东知道后深受触动，由此而引发了他对政府与农民、抗战与民生、老百姓长远利益与当前利益等问题的深思，经过充分的调研，他提出了精兵简政、自己动手、风衣足食的伟大战略决策。影片真实揭开了延安大生产运动背后的故事。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
1964年，法国驻华大使馆会计高仁尼（杰瑞米·艾恩斯）在观看歌剧时，被舞台上的蝴蝶夫人迷住了。戏毕，他主动向蝴蝶夫人的扮演者、京剧演员宋丽玲示好。一次次的接触，使两颗孤独的心相爱了。然而好景不长，文化大革命爆发，宋丽玲音信全无。1968年，宋丽玲来到法国，与高仁尼重聚。多年后，当高仁尼因间谍身份被指控时，站在证人席上的，是西装革履的宋丽玲。指男为女的高仁尼成为了全法国的笑柄。这两个男人将如何面对对方，如何面对他们的爱情？
《我的天才女友》衍生幕后纪录片，提供了详实的独家拍摄花絮，以及剧版完整的诞生流程。
辅业亲王朱厚燔党同伐异，偕夺兵权。罪证为潮州总兵刘光辰所掌握。刘欲上京面圣，弹劾奸王，不幸被朱之心腹、新任东南都督陈文华杀害于枫树坡。刘光辰之女刘明珠得知其父壮志未酬，受奸所害，决心继父遗志，上京面君。刘明珠历尽艰难险阻，来到枫树坡，在何氏妈妈相助之下，到刘光辰墓地祭奠。巧遇海瑞暗察回归，即诉冤情。海瑞为斥奸臣，带刘明珠至府中，待朝圣君，海瑞在朝圣中揭露了刘光辰一案，穆宗皇帝碍于皇叔朱厚燔辅助基业之绩，在众卿诡言之下，无法辩清真伪，求请老太后主决。太后为保皇权，竟出丑策，一面密谕海瑞到天津天查勘刘光辰一案；一面由穆宗下旨召海瑞在5天内挑选能女为太后寿庆穿制百宝珠衣，欲挟海瑞放弃奏劾朱厚燔。海瑞在夫人的协助下，亲赴天津卫，由海瑞夫人和刘明珠假扮穿珠女进宫穿珠衣。朱得知其中情由，又设毒计，企图火烧珠衣，致海瑞误延交衣日期之罪。幸得侍女迎风透露，海瑞夫人与刘明珠偕衣逃走，将珠衣提前交与太后。朱厚燔谎报珠衣烧毁，要治海瑞欺君之罪。刘明珠怒揭朱的阴谋，又逢海瑞详察回宫，当堂出示朱的罪证。穆宗始知朱的面目，但太后因朱系皇亲国戚，不便处刑，便赐刘明珠玉如意一支，要其回。刘明珠接过玉意，悲愤交集，当堂怒惩朱贼，终于使家恨国仇得以昭雪。
比利时抵抗组织劫持了一艘纳粹德国的潜艇，奉命把曼哈顿计划需要的重要物资偷运到美国去
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