1944年，德国纳粹战败前夕。为保护人类所共有的艺术瑰宝免遭恶意损毁，罗斯福总统授意成立一支盟军夺宝队，该队伍由弗兰克·斯托克教授（乔治·克鲁尼 George Clooney 饰）领军，网罗了詹姆斯·格兰杰（马特·达蒙\tMatt Damon 饰）、理查德·坎贝尔（比尔·默瑞 Bill Murray 饰）、沃尔特·加菲尔德（约翰·古德曼 John Goodman 饰）等散落在各界的艺术领域精英人才。德国人全线溃逃，夺宝队一路追踪，挽救了不少珍贵文物。当他们抵达巴黎时，见到了曾在德国人麾下管理艺术品的法国国家博物馆雇员克莱尔·西蒙（凯特·布兰切特 Cate Blanchett 饰），在她的协助下得以令无数的瑰宝物归原主。这是一场关系着人类遗产的战争，争分夺秒，不容喘息…… 本片根据二战期间发生的真实故事改编。
故事发生在一所中学，这是一所二流高中，在这里上学的阿胜（金子贤饰）和信治（安藤政信饰）是典型的不良学生，他们除了每天旷课闲逛之外，不知道还能做些别的什么当然除了不学习他们什么都做，他们专与老师作对，还经常勒索那些学习非常用功的学生，靠着勒索来的这点小钱，他们只能无聊地泡在酒吧或者咖啡馆里，这就是他们的青春，也是他们全部的生活。一天，他们在一个面馆结识了一名黑帮分子，又过不久，经常欺负别人的阿胜被别人欺负了，而且还是一个经常被他们揍得鼻青脸肿的人把阿胜揍了，原来这个经常被阿胜他们欺负的学生找了一个拳击手做保镖，栽了这么大的一个跟头，阿胜觉得无地自容，于是他找到一家小武馆学习拳击，这让一直跟在阿胜屁股后面的信治也不得不来到了这个小武馆，没想到，在打架方面不如阿胜的信治，竟然在学习拳击这项运动上进步很快。渐渐地，阿胜觉得拳击运动太无聊，于是离开了武馆，但信治依然选择留在武馆，勤奋的学习让信治逐渐获得了一些小型奖项，但当他再次碰到阿胜时，才知道阿胜已经成为帮派中的一员。小林是一位比信治年长但却一事无成的拳击手，与阿胜分开后，他成了信治的好朋友，在小林的影响下，信治不但无视拳击手的法规，还学会了吸毒，不久之后，信治就由一名大好青年堕落成了失败者。与信治不同的是，阿胜迅速在黑帮中崛起，没想到上位迅速的他因为挑衅黑帮大佬而被逐出黑帮，这时，信治与阿胜才感觉到原来自己荒废了人生中最美好的青春时光，于是他们决定重新回到学校。
极限战士团获得一个来自帝国神社世界的求救信号，一个完整的帝国公司掌握着那里，外界没有更多的消息，极限战士团打算调查那里看发生了什么事情。《战鎚40K》的故事发生在遥远的未来。在《战鎚40K》的世界中，人类已经征服了不少星球。在人类君王的统治下，极限战士团的士兵们勇猛的和宇宙中的各种势力作战。虽然游戏被设定在未来并有著大量的科幻元素，但电影《战鎚40K》中也不乏经典的奇幻元素，精灵和兽人等种族都在游戏中出现过。本片由马丁-皮克(MartynPick)执导，为这部时长70分鐘的CG电影配音的演员包括特伦斯-斯坦普(TerenceStamp)、西恩-帕特维(SeanPertwee)以及史蒂芬-威丁顿(StevenWaddington)。负责编剧的是布拉克-莱布罗瑞(BlackLibrary)和丹-阿佈内特(DanAbnett)。
美国5岁男童迈尔斯·斯科特，在1岁半时被诊断出患上白血病。他决定像他最爱的超级英雄“蝙蝠侠”对抗坏人一样，勇敢面对病魔。知道了这件事的人们决定帮他圆梦：2013年11月15日，在旧金山全城的帮助下，他当了一回“蝙蝠侠”。这个故事将被拍成纪录片《小蝙蝠侠出击(BatkidBegins，对应BatmanBegins)》，导演达娜·纳克曼在今年圣迭戈动漫展上放出了预告，计划筹集10万美元资金完成这个纪录片。
男孩眼睛虽盲，却有惊人的听力，最终凭一技之长走向人生巅峰#大海与天使
影片讲述的是海军上尉唐岩在探亲时意外救助一位被拐卖、沦为乞丐的盲童如光，如光病愈后唐岩把他送进军民共建单位市盲人学校读书，唐岩在盲校做义工的过程中与学校美丽善良的音乐老师乔娅互生爱慕，最终有情人终成眷属；同时，音乐老师乔娅全力培养如光成为钢琴家，在社会各界的帮助下，如光和母亲在失散多年后终于母子重逢。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
猩球崛起 Rise of the Planet of the Apes[电影解说]
为了能让身患老年痴呆症的父亲重回正常的生活，威尔·罗曼（詹姆斯·弗兰科 James Franco 饰）一直致力于名为“Cure”的基因药物的开发，并在大猩猩身上不断进行着药物试验。在公司已经失去信心的同时，威尔继续在家完成试验，并在一只名为凯撒的大猩猩身上获得成功。借助灵长类学家卡洛琳（芙蕾达·平托 Freida Pinto 饰）的帮助，威尔发现凯撒的智力极大地提高。不过，人类的社会始终无法接受拥有极高智力的凯撒，凯撒被送往了猩猩看护所。看护所的残酷对待，使得凯撒利用智慧进行抗争，最终救走了同时被囚禁的其他猩猩，而且对它们都使用了Cure。一群高智商的猩猩与人类对立的战争就此拉开。本片获得了第84届奥斯卡最佳视觉效果的提名。
25岁的姐姐江南（张晔子 饰）和22岁的弟弟江北（张一山 饰）长大成人，他们的父母却离婚了，楼上楼下两套公寓一分为二，江南跟着母亲吴琼（王琳 饰）住到了楼上的公寓，江北跟着父亲江国立（周小斌 饰）住在了楼下的公寓。很快，50岁的江国立娶了35岁的健身教练戴玲玲（宋宁 饰）为妻，还带来了一个8岁的孩子童童（彭艺博 饰）。49岁的吴琼则嫁给了年轻时就崇拜的演员杜伟（高亚麟 饰），杜伟也有一个12岁的女儿阳阳（郭芯如 饰）。四个孩子没少让父母操心。而在孩子眼里，父母也对他们过多管制，给他们增添了很多烦恼。剧情围绕着这两个重组家庭展开，极具代表性的父母，四个性情迥异的子女，本来完全没有关联的几组人，重新组成了大家庭，家长与孩子，孩子与孩子，烦恼困扰与矛盾层出，而这个四分五裂的家庭也在处理这些烦恼困扰与矛盾的过程中慢慢走向融合，演绎着一段段复杂而有趣的日常生活...
杰克·普利斯顿（尼古拉斯·凯奇 Nicolas Cage 饰）曾是美国派往南美的缉毒部队中的一名飞行员。在一次行动中，他所在的飞行队遭到毒贩顽强而狡猾的抵抗，杰克的战友惨遭杀害。为了对抗武器先进、精良的毒贩，上司推荐一心复仇的杰克前往米切尔要塞进行阿帕齐直升机的驾驶训练。在经验丰富的教官布拉德·里图（汤米·李·琼斯 Tommy Lee Jones 饰）的严苛训练下，阿帕奇战队的小伙子们成为实力超群的精英战士。 与此同时，大毒枭斯德勒的气焰日渐嚣张。为了消灭这个毒害千万民众的家伙，华府决定派出阿帕齐战斗队赶赴南美，与这个旧日冤家决一死战……
难得的周末家庭夜变得残酷无情，杰伊被突然闯入的陌生人挟持，与另外三名囚者受困地下室。当他们试图逃离，却陷入一场艰苦的奋战，他得解决眼前痛苦的难题并拯救家人…