巴兹（吉恩·哈克曼 Gene Hackman 饰）、克莱顿（詹姆斯·弗朗西斯 James Franciscus 饰）和吉姆（理查德·克里纳 James Franciscus 饰）和吉姆（理查德·克里纳 Gregory Peck 饰）是三名身怀绝技的宇航员，三人被派往“铁人一号”载人飞船上，执行历时7个月的任务，在这7个月中，他们生活的每一分每一秒都会被摄影机拍下来，作为珍贵的研究资料。 很快，5个月就过去了，此时，宇航员们发现，飞船上的RCS系统发生了故障，如果继续执行任务，飞船将有坠毁的危险。航天局总部对三名宇航员发出了召回令，然而，飞船的点火系统故障令飞船无法启动，更糟的是，飞船内所剩的氧气，仅够维持四十二个小时。在这短短的四十二个小时之内，巴兹等人必须找出自救的方法，否则等待着他们的就只有窒息而死。
怀才不遇的摇滚乐手莫子（莫子仪 饰）与事业蒸蒸日上的歌手女友日渐隔膜，留下最后一首歌跑去天台跳楼；纸扎师傅林老伯（高捷 饰）得了末期癌症，没钱开刀治疗，便一心给自己扎了个穷奢极侈的“豪宅”，念着死后和妻子可以在阴间享福，林太太（陆奕静 饰）却跑去借高利贷给老公治病，他们的儿子小刚（唐振刚 饰）卖掉自己在网游里面一块地，竟然赚到八万块。 莫子死了，他的女朋友倒是红了，成了著名民谣歌手；林老伯的“豪宅”终于扎好，却被前来要债的黑社会看上，直接拿去抵了债；“憨过头”的小刚去学做房产经纪，却碰到莫子留下的“阴宅”，事关房子的种种让几个不相干的人生产生奇妙联系，这个总是令人慢半拍的世界，守住自己的一席之地都变得那么困难……
佛教大学的学生清水四郎（天知茂饰）与矢岛教授（中村虎彦饰）的女儿幸子（三ツ矢歌子饰）相恋，已经到了谈婚论家的阶段。但是清水最近经常受到同学田村（沼田曜一饰）的打扰和纠缠，后者就像来自地狱的魔鬼，反复试图放大清水灵魂中阴暗面。在某晚开车返家途中，清水轧死一名醉汉，心怀愧疚的他决定自首，却间接害死幸子，幸子的母亲芙美（宮田文子饰）也因而精神错乱。一连串的打击让清水无法承受，他逃回父母的家中，与父亲一同打理养老院“天上园”。就在“天上园”十周年庆典上，在座宾朋全部中毒身亡。清水的魂魄来到阴曹，见到了最恐怖的地狱景象……本片是中川信夫在新东宝拍摄的最后一部怪奇电影，也是大藏贡最后一次担当中川导演制作人的影片。
是不是每个人的人生里都有一个爱不到的人？当毫无存在感的IT男费力（李鸿其 饰）遇见闪闪发光的女孩赵希曼（杨颖 饰），他找到了自己必须去冒险的理由。世间每一种限定浪漫，都是暗恋者的良苦用心。当明天到来，你还会记得最纯粹的感动和爱吗?如果有幸等到你，这个冬天一起去看极光吧⋯⋯
《美国梦魇》拍摄于1986年，当时美国上下正处于“越南战争”的梦魇之中，在电影界也涌现出一大批批判“越战”的经典电影，有如《生于七月四日》《现代启示录》等，而本片是部独立电影，一经推出却淹没在了当时大导演，大制作的阴影之中，但影片《美国梦魇》却又是一部不折不扣的经典电影，影片描述一个从越战归来的士兵，从开始的惶惶不可终日，到最后的精神错乱，无论是导演的拍摄技法，到演员绝对有说服力的卖力演绎，从头至尾都让观众揪心，是不可夺得的经典影片，强烈推荐收看！
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
法庭上，十二岁的男孩赞恩向法官状告他的亲生父母，原因是，他们给了他生命。是什么样的经历让一个孩子做出如此不可思议的举动？故事中，赞恩的父母在无力抚养和教育的状况下依然不停生育，作为家中的长子赞恩，弱小的肩膀承担了无数生活的重压。当妹妹被强行卖给商贩为妻时，赞恩愤怒离家，之后遇到一对没有合法身份的母子，相互扶持勉强生活。然而生活并没有眷顾赞恩，重重磨难迫使他做出了令人震惊的举动……
夜总会歌女朱莎娇（薛家燕 饰）爱上了港大学生祝展辉（郭峰 饰），朱莎娇的腹中更是怀上了后者的孩子。然而，祝展辉要前往纽约深造，朱莎娇只得独自生下女儿祝君好（佘诗曼 饰），抚养他长大。之后，善良朱莎娇又收留了好姐妹的儿子文初（张智霖 饰），无奈文初的嗓子被毒药烧坏，无法发声。 一晃眼二十二年过去，祝君好和文初都已经长大成人。某日，朱莎娇再度遇见了祝展辉，继而结识了祝展辉的弟子司徒礼信（马浚伟 饰），与此同时，文初遇见了曾经抛弃他的生母，两人尽释前嫌，文初更是帮助母亲还债。随着时间的推移，文初和司徒礼信都爱上了善良美丽的祝君好。