伊娃原本是英国皇家芭蕾舞团的芭蕾舞者，随着舞团远赴日本、中国、俄国表演，天天过着掌声加鲜花的日子，宛如明日之星。然而一次舞台上的意外，伊娃的腿受 伤了，她的舞者生命当下及被医生宣判了死刑。原本打算嫁作人妇的她，却遇上未婚夫劈腿，失意的她来到伦敦街头巧遇了另一名古巴籍的舞者欧瑞尔。欧瑞尔这次 再没通过甄试，就要被送回古巴，这次甄试他将使出浑身解数。与欧瑞尔的邂逅，使得伊娃重新燃起对舞蹈的热情，也让她对明天重燃希望。
赌坛一代枭雄聂万龙（秦沛饰）不但赌术精湛，而且善用谋略，在赌场上百战百胜，无人能及。菜贩陈金凤（李香琴饰）嗜赌成性，而其子石志康（陈庭威饰）却对赌博毫无兴趣。因缘巧合，石志康被赌王聂万龙发现，在其赌场工作。偶然机会，石志康认识了前赌王蒋真（高雄饰）。蒋真教会他世界各种赌术，悉心调教和培养他，石志康的赌术日益提高。其后石志康又得赌痴孙一峰（张铮饰）教授，赌术大有进步。然而蒋真败在聂万龙手下，含冤而死。不久，其子蒋百祺（吕颂贤饰）赌术镇压全场，前来一报杀父之仇，他更不惜故意接近聂万龙之女聂希桐（吴绮莉饰）。适逢世界赌王比赛，一场血雨腥风的赌坛争斗一触即发。香港亚洲电视于1991年制作的赌场风云大戏《胜者为王》，由陈庭威、吴绮莉、吕颂贤、万绮雯、秦沛、雪梨、李香琴等领衔主演。本剧集续集有《胜者为王Ⅱ天下无敌》和《胜者为王Ⅲ王者之战》。
新近获得新人奖的青年作家相原升（向井理饰）接到故乡母校高中的邀请，勉为其难要回校做汇报演讲。下火车没多久，他重逢当年被视为女神一般存在的神林学姐，咖啡馆内的交流，让阿升回想起学生时代的一段难忘故事。15年前的阿升（竹内太郎饰）丝毫没有任何存在感，而学姐神林彻子（石桥杏奈饰）则备受关注，她的身边则同样是校园里的风云人物宫崎瞬（工藤阿须加饰）。谁也想不到，宫崎和阿升还是青梅竹马的玩伴。瞬哥背着彻子和名叫百濑阳（早见明里饰）的女孩偷偷交往，为了瞒过女友他拜托阿升与百濑在校园里假扮男女朋友。为了报答瞬哥，阿升勉为其难答应下来，只是未曾想到这个青春的谎言竟让他久久无法忘怀……本片根据中田永一（乙一）的同名原作改编。
故事讲述约翰尼·里科(卡斯帕·凡·迪恩配音)降级发配到火星偏僻空间站，他本和士兵安稳培训，不料众人被一大批外星昆虫包围，战争一触即发。
太医院良医薛正伦为平成郡主府诊病，药箱内携带巫蛊被搜出。三审定谳，按刑律薛良医被判满门抄斩。刑期在即，平成郡主奶妈简夫人夜访大理寺卿陈礼，恳请为薛正伦翻案。一番危机中笑话连连，异常惊悚里更有讥诮不断。
A steely special ops agent finds his morality put to the test when he infiltrates a crime syndicate and unexpectedly bonds with the boss's young son.
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
Fólkvangr，建立在小行星上的前线。在 Vanadies 组织的实验室中正在进行Gundam Lubris的操作实验。理事会规定的条件对于无法清除的 Lubris让你感到沮丧的试飞员厄诺拉·萨玛亚。——那天，她的女儿那是我的 4 岁生日。
再婚带着儿子的夏洛特和丈夫一起住在巴黎郊区，她的丈夫皮埃尔是一名飞行员，她的情人罗伯特是一个演员。她徘徊在两个男人之间，最后她怀孕了，却不知道孩子的父亲是谁。
改编自D. Eric Maikranz所著小说《转世文献》(The Rein carnationist Papers)，聚焦一个被自己前两世的记忆缠绕的男子，引出一群几乎长生不死、几世纪来多次转生的人，被称为“无限/无穷之人”，他们的组织叫“Cognomina”。为了打败想毁灭地球的邪恶力量，他们必须依靠这个精神分裂的男子，而后者先要搞清楚：他常做的奇怪的梦都是前世的记忆。
2023年，美国新政府所推行的“人类清除计划”迎来了第六个年头。剑走偏锋的极端政策，旨在抑制持续上升的失业率和犯罪率，在此期间却也有越来越多的无辜之人遇害，而富人们则斟好杯中酒，脑满肠肥欣赏甚至以看似高贵优雅的姿态参与一年一度的屠杀狂欢。在大屠杀即将开始之际，面临分手的情侣谢恩（Zach Gilford 饰）和莉兹（Kiele Sanchez 饰）的车在路上抛锚，他们慌乱不安地寻找藏身之地。刚刚失去最重要亲人的伊娃（Carmen Ejogo 饰）及其女儿卡莉（Zoë Soul 饰）躲在家中亦难免厄运临头，关键时刻母女被逡巡在城市巷尾的中士（弗兰克•格里罗 Frank Grillo 饰）救下，与此同时谢恩和莉兹也阴差阳错搭上了中士的车。新仇旧恨以及对世界的各种愤懑不满，在这个夜晚集中爆发，脆弱的生命面临最惨烈的考验
憨豆先生（罗温•艾金森 Rowan Atkinson 饰）总是傻人有傻福。他买彩票意外获得前往法国度假的机会。憨豆先生马上收拾好行囊，前往法国圆他的先锋派电影之梦！抵达巴黎后，憨豆先生遇到了一位来自俄罗斯的戛纳电影节评委。奇思妙想的憨豆希望能拍摄一部关于自己的先锋派电影，于是做事从来不顾后果的他带上了与那位俄罗斯评委走散的儿子，两人跳上了火车，路上扮演一对父子，却因语言不通大闹笑话，最后陷入了困境。