本片是德莱叶的第一部有声片，是恐怖片的经典，而且比现代恐怖片更具有心理震撼性。 影片以营造气氛著称，弥漫着梦幻和诡异。 故事讲述一个年轻人觉得自己遭到僵尸的包围，并幻想自己被安葬到坟墓里。 影片采用了很多新奇的拍摄角度，营造出独具一格的映像效果，又通过暗示手法展现邪恶的力量，取得了前所未有的成绩，将恐怖类型片提高到艺术片的高度。
电影讲述了同在一间银行ATM部门中工作的何必（朱亚文饰）与蒙小鲜（张榕容饰），由于公司禁止办公室恋情，正秘密的谈着地下恋爱。与此同时300公里以外的熊仁镇一个ATM机出现故障，取一倍的钱吐两倍的现金，造成银行财产损失。于是蒙小鲜和何必约定，谁先找到被多取得钱谁就可以留在银行，另一个必须辞职。于是一场争钱斗爱的游戏在小镇迅速展开。
影片以胡玛尔和哈迪夏两家人因一次意外事故造成的矛盾展开故事，演绎了40年来草原轮回迁徙的生活、人物的情感心路历程，讲述了世代逐水草而居的中国哈萨克族牧民，在改革开放后生活发生的巨大变化。
Eli是个“坏小子”，Nikko是个三好学生，因为一场舞会，两人的关系逐渐拉进。
很久以前,有一片神秘的国度武林大陆，以五大武林学院为首。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
一位即将毕业的女大学生朱丽叶，经常做迷人的春梦，醒来后和闺蜜萨拉交流性爱观念，决定写一篇关于这个主题的毕业论文。为了体验生活，朱丽叶通过报纸的交友信息，用萨拉的名字和一位叫亚历克斯的先生约会，但亚历克斯并不露面，只是彬彬有礼的指挥朱丽叶按照自己的意思表演，朱丽叶乐此不疲。期间，朱丽叶和一位生活乏味的已婚女人约会，并安排她进行一场奇妙的sex之旅；另外一位人妻为了庆祝丈夫生日，约会朱丽叶，朱丽叶、萨拉和男友到一个夜店去玩，欣赏舞女们的诱人舞蹈，体验不同的生活方式。
詹姆斯（卢克·崔德威 Luke Treadaway 饰）从未想过一只流浪的橘猫可以拯救自己的人生。戒毒成功后的他与猫咪鲍勃过着贫苦却温馨的日子，一人一猫的卖唱风景总是能在街头成为焦点，为他们带来更多收入。眼看着生活开始有了起色，不料鲍勃却突然受伤，詹姆斯也面临着被迫和鲍勃分离的危机……
作为一个大龄单身男青年，网恋or相亲，哪个才能得到真爱？单身男程序员周达面对老爹的花式催婚，不得已开始了自己的相亲之旅。其实他一直有一个网恋对象——江莹，为了江莹，周达决定搞黄所有的相亲。一系列啼笑皆非的相亲之后，坐在他对面的居然是自己的高中同桌张萍。周达开始与张萍朝夕相处，江莹却毫无征兆的出现，而在此时，张萍的电话打了过来……张萍发现了江莹似乎有什么秘密……
相传佛祖座下大鹏鸟私下凡间作恶，佛祖派遣使者追捕，与大鹏鸟展开惨烈恶斗。五百年后，一名男子负伤倒卧荒野，被小镇绣庄女工陆菁儿（简淑儿饰）救回，自此当上绣庄与染坊的小工。男子梦中巧遇高僧慧远，解开身世之谜，记起本名为李修缘（萧正楠饰），并与昔日好友方志朋（沈震轩饰）相认。修缘跟女捕快苏柔（汤洛雯饰）成为冤家，二人在连番斗气中暗生情愫，惟菁儿也向修缘表露心迹。