彭万里身为公司总裁，却想着不择手段挖空对手公司1000万，而暗恋他的李燕却成为了这场商业阴谋的被害人，与此同时，开着一家半年没有装修好的皮包公司的白宏图闯入了彭万里的视野，正当彭万里想着如何利用包宏图顶缸时，三人被意外送到了远离都市的彩虹镇。 彩虹镇遵守着古老而神秘的规则繁衍不惜，万物都被以快乐为能量的彩虹机控制着，期初，三人为了逃出彩虹镇想尽一切办法，阴错阳差，三人最终都爱上了这个地方，与此同时，一场保卫彩虹机的斗争倏然而至……
一天，灰太狼与小羊来到了蕴含丰富知识的图书馆。他们在这里发现了一本百科全书和一部照相机。好奇的小羊们打开了百科全书，却发现百科全书里的内容并不完整。好学的小羊们与灰太狼决定踏出青青草原，来一场有趣的自然探险！一路上他们经过寒冷的北极，与可爱的北极熊赛跑；他们也深入到了奇幻的大海，与聪明的海豚一起玩耍；他们还跑去了草原，观赏壮观的蒲公英百花起飞；他们甚至去到炎热的非洲，与健壮的大象做朋友。通过这种外出探索、与大自然互动的方式，小羊们与灰太狼渐渐学习到了各种新奇有趣的自然科学与生活常识。原本残缺不全的百科全书，渐渐被小羊们修复完整，小羊们也在探险中学习到了丰富的知识，收获了许多珍贵的回忆与友谊。
泰勒（查理•辛 Charlie Sheen 饰）是越战期间的一名美国大学生，他前往越南前线去服兵役，被分到了一个步兵部队。部队里有两个人一直对他影响颇大——伊莱亚斯（威廉•达福 Willem Dafoe 饰）和巴恩斯（汤姆•贝伦杰 Tom Berenger 饰）。他们两人对战争的看法截然不同，前者不忍残杀无辜，而后者却杀人如麻，泰勒心里非常迷惑，到底谁对战争的看法才是正确。 巴恩斯展开了一场残忍的屠杀，越南整条村落都流血成河。伊莱亚斯力劝好友不要如此残暴，却遭致二人关系的裂缝。巴恩斯更怀疑伊莱亚斯向上司打小报告，友谊变为妒恨。于是，在一次丛林战争中，他背着所有人，向伊莱亚斯扣下了扳机。 泰勒却洞察了这一切，他心里终于有了答案。
电影故事以中日战争末期的东北农村为背景，讲述了战争时期，乾四爷一家的命运轨迹。
萧、司马、花、谢是京城里的四大家族，花满天（何润东饰）和谢千寻（张馨予饰）是青梅竹马的玩伴，成人之后友情慢慢转变为了爱情，两情相悦的两人将彼此视为他们命中注定的那个人。倾城（李心艾饰）是皇帝最喜欢的公主，她也无可救药的喜欢上了花满天。然而，倾城是注定要被送往异域和亲的，花满天正是护送和亲队伍的将领。谢家发生了变故，花满天心急如焚的担心着谢千寻的命运，准备借着和亲的队伍将她秘密送出城外。哪知道意外还是发生了，倾城和谢千寻同时坠入悬崖，幸运的是，两人得到了神秘医女灵姑子的救治，虽然捡回了命，但倾城和谢千寻却交换了脸庞。
麦妈因在邻村工作而无暇照顾麦米，一直将其寄养在奶奶家。奶奶去世，麦妈只好暂时将麦米托付给舅舅。麦米与妈妈难舍难分，麦母临走送给麦米一块巧克力和一只手表，告诉她不久就会接她去妈妈所在的学校。但车刚一开走，麦米就发现手表的指针不再跑动。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
商周之战一千五百年后，天界衰落，蒙冤落魄的杨戬以赏银捕手为业谋生。一日，杨戬接受了一位神秘访客的赏银去追捕一位少年，意外发现少年竟是自己的亲外甥沉香。沉香立志要寻回宝莲灯，劈山救母，却将酿成大祸。杨戬踏上追寻沉香并揭开尘封往事的旅程……
Following a horrific accident, a woman voluntarily becomes a test subject to an artificial intelligence designed to rehabilitate her. In a world dependent on machines, she learns not all technological advancement has humanity's best interests in mind.
《深海特攻队之超能晶石》是一部以“探寻海洋文化”集科幻与环保为主题的3D少儿动画电影。 四颗拥有神奇力量的晶石打破了海洋小镇的平静，其中一颗晶石唤醒了海怪——利末安森。为了统治整个海洋，它率领黑暗军团，继续搜寻剩余的三颗晶石。 小镇里的章鱼兄弟墨墨和哥哥意外捡到一块晶 石，灾难来临，墨墨被小荣龙救回，而哥哥却被利末安森魔化，取名黑格。在与黑格的激战中，利末安森绑走了墨墨，威胁特攻队交出晶石，危急关头小荣龙挺身而出救下墨墨，同时魔化了的哥哥被墨墨绝望的喊声唤醒意识，为了保护弟弟不在受到伤害，他缠绕住利末安森向着火山底坠下。
民国。上海远郊。 简家是一户没落乡绅人家，四个如花似玉、性格各异的女儿都待字闺中，简太太最大的心愿就是把她们嫁到富贵人家去，富家子丁子辉、宋文熙到来，一场讨婿战在简家小镇蔓延开来，姿色最优的大女儿如静博得温和友善的丁子辉之心，最有主意的二女儿如恬因“一号金龟婿”宋文熙的傲慢对其产生偏见。 如恬如静离开小镇来到大上海，文熙几次与如恬“交恶”，却发现自己已不知不觉坠入爱河。可惜身边已有结婚人选――救过他一命的程碧娆。对如恬有好感也只能深埋心里。 进城后如恬对邂逅过几次的万人迷军官柳天宇念念不忘，文熙与天宇手足反目的前史也被如恬知晓，天宇涉嫌命案被捕，如恬为救天宇找到文熙。面对如恬的请求，文熙尽管内心痛苦，还是将天宇救了出来。 文熙抑制不住自己的真实情感，终于向如恬表白，然而此时的如恬因为种种误会对文熙存有极深偏见，当即拒绝了文熙这番傲慢的带有施舍感的表白...
蓝屏(徐子珊)的男友徐风(陈键锋)失踪一年后，巡捕吕涛(黄宗泽)发现风原来已经死了，领遗体的人更是屏自己！不久，风突然出现，叫事情更加扑朔迷离，更叫屏和风已经萌芽的感情胶着。 一切，原来跟屏后母的布局和一个老千夺产阴谋有关。涛展开连番追查，期间险象环生，更因此而被开除，幸得跟他一起长大的殷悦妹(杨思琦)在旁鼓励。另方面，屏与风结婚后家人陆续出事。原来，以茅泰(陈鸿烈)为首的千门八将已化身不同身分渗入了蓝家……