12岁的小女孩乔治亚失去了母亲独自过日子，从未出现的父亲突然闯入她的生活。1994年出生的导演夏洛特·里根自编自导的长片处女作，她镜头下年幼丧母的小女孩不再是可怜兮兮的社会批判题材主角形象，而是个古灵精怪充满幻想的小“社牛”，一向以炫酷帅哥形象出现的哈里斯·迪金森（《悲情三角》）饰演父亲，两人将一出父女重逢后相互慰藉、走出悲恸的戏码演绎得轻松无厘头又不失温情。荣获2023年圣丹斯电影节世界电影剧情片单元评审团大奖、入围2023年北京国际电影节主竞赛单元。
暂无简介
故事发生在北宋仁宗年间。闻听开封府有人击鼓喊冤，兰桂坊女大厨胜男（姜鸿饰）策马飞奔，她要去为民请命。柳明月（余诗曼饰）乃居家过日子的妇道人家，家中有儿子和丈夫，她与胜男出身不同、性格迥异，俩人最近都被莫名卷入连环命案。在开封府，一般断案是靠包大人（方舟波饰）和其手下得力助手南侠展昭（王翔弘饰），而北侠欧阳冬（欧阳震华饰）也是智勇双全的人物。自明月与胜男卷入命案之后，她们各展自身所长，帮助朝廷破案，仁宗帝下旨，封她们为“带刀女捕快”，成为包拯的左膀右臂，协助开封府衙。在展昭、公孙策（关菁饰）等人协作下，竟磕磕碰碰破了不少疑难案件。虽然在办案过程中笑话迭出，但正义与良知使她们担负起了除暴安良的使命......
北宋年间，太平盛世令开封府渐成虚设，尾随包拯（黄秋生）的展昭（刘德华）因整日无所事事怀念起过去云游四海的侠义生活，幻想有天重新披上黑衣。某次化身做他人的行动中，展昭遇上锦毛鼠白玉堂（张柏芝），被其言行举止深深吸引。 五鼠大闹开封府，夺去展昭与襄阳王之妹（李冰冰）的订婚信物，展昭奉皇命追至五鼠老窝陷空岛劝降，吸引了情窦初开的原本是女儿身的白玉堂，然而因展昭身负御赐
梁丹妮（热依扎 饰）是演艺圈里冉冉升起的一颗新星，有着持续升温的人气和无量的前途。然而，一场意外的发生让狗仔记者们拍到了她和一个名为李非凡（郑恺 饰）的男子在旅店的亲密照，虽然这一切只是一场误会，但一切澄清和洗白都为时已晚。 实际上，梁丹妮已经有了一位交往已久的男友—— 地产富商石非凡（郭晓冬 饰），为了挽回女友的声誉，石非凡扎到了李非凡，给了后者巨额报酬，要求他成为梁丹妮的“临时男友”，经受不住巨大利益的诱惑，李非凡沦陷了。一边是养尊处优的女明星，一边是低眉顺眼的代驾小哥，这一对性格和身份迥异的男女凑到一起，闹出了无数的矛盾和笑料。
1991年齐秦狂飙演唱会上，北师大才女安然（马思纯 饰）和来自台北的摄影师齐啸（霍建华 饰）因缘相识，曲终人散后再度重逢的二人陷入热恋，然而不是勇敢就一定能拥有爱，不是所有再见都能再见！在漂泊岁月中，弄丢了挚爱的我们，是否还能安然无恙？没有我的日子里，你是否能保重自己？2019年，齐啸和安然能否重逢？
内详
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
5月11日 21-22赛季西甲第36轮 瓦伦西亚VS贝蒂斯
*笨女孩**漫画家与助手*作者ヒロユキ的漫画『カノジョも彼女』*女友成双*（直译『她也是女友』）TV动画化决定。