天使之耳～交通警察之夜

陣内瞬(まどか)（25）。総務課から交通課に配属されたばかりの新人交通警察官。巡査部長の金沢行彦（48）を教育係にバディを組んでの最初の交通事故は、深夜の交差点での衝突事故。外車の運転手は青信号を主張。一方の軽自動車の運転手は病院で死亡。両車両ともドライブレコーダーを装備しておらず、どちらが信号無視をしたか不明になるところ、死亡した運転手の妹が青信号だったと主張する。妹は、目が不自由だった。事故当時、後部座席に同乗しており、カーラジオから流れていた松任谷由実の「リフレインが叫んでいる」の歌詞のタイミングで証明するというが…。他に、前を走っていた車からポイ捨てされた空き缶で失明をした婚約者のために、その車を探す行動が思わぬ事件の解決へとつながるエピソードや、あおり運転に遭い事故を起こしてしまった若葉マークの女性が抱えていた真相、心無い路上駐車が巻き起こす不幸など、日常に起こりうる交通事故がもたらす人々の運命の急転を、バディ捜査官の奮闘を通して描く。

纺纱厂往事第二季

　　It is 1838 and whilst John and Daniel celebrate the reprieve of the Tolpuddle Martyrs the new Poor Law drives economic migrants from Southern England to the mill in the form of agricultural worker John Howlett and his family and shoemaker Abe Whittaker and his grandson Will, who takes a shine to Esther. Hannah has also brought Peter, a freed slave from the former plantation, to work in the garden whilst Robert is now an MP and younger brother William, the father of Susannah’s eldest child, is in charge of the mill. Esther threatens to tell Hannah of her son’s indiscretion unless he recognizes when her indentures end and loans her money for sister Martha, still unemployed. She is successful but wages are cut, William attempting to blame the fact on the Corn Laws. However Daniel knows that William intends to spend the money saved on more machinery. John Howlett fails to see this and refuses to countenance Daniel’s proposal that they espouse the union though Peter is more sympathetic.

荒村客栈

鬼吹灯之龙岭迷窟

影片讲述了自精绝古城回来后，Shirley杨带陈教授回美国治疗，却发现背上长出眼球状的红斑。胡八一与王胖子、大金牙前往陕西古蓝县进货遇到Shirley杨。四人进到一座幽灵冢险些葬于人面蜘蛛的果腹，出来后，胡八一和王胖子也长出红斑。Shirley杨拿着外公鹧鸪哨的笔记，发现黑水城的通天大佛寺中，很有可能藏有解开红斑诅咒的关键——雮尘珠。三人沿黄河继续进发，按照笔记指引进到寺内，在对抗黑玉邪神之时，发现一藏宝箱，里面究竟藏着雮尘珠，还是暗藏凶险？摸金小队又能否成功揭开鬼眼红斑的诅咒谜团呢？

尾牌Q1冰速传说

车手冰山（叶山豪饰）由于负伤在身，由同事车队经理人曾经的天才女车手，冰山的母亲绮丽（童苡萱饰）代其出战，车队很重要的一场比赛南岛GT赛事，在比赛中绮丽不幸发生“意外”丧生赛道。就在这个时候，从小由妈妈独自抚养成人的冰山，意外的出现了“神秘的”妹妹“（吴瑞君饰），告知冰山，绮丽的死亡并非一场意外。当冰山得知消息后，无法面对现实的残酷，找寻假想的”凶手“打架被拘留。拘留期间，痛定思痛，决定完成妈妈的遗愿。但出狱后，冰山的生活发生了一连串不和常态的”神秘事件“，带着”寻找凶手“，完成梦想的使命，冰山回到祖国，获得阿福（于效辰饰）的帮助，重新组建车队。然而，殊不知，一场人生的追逐和较量才刚刚开始。

零下100度

某年某月，沉睡超过三百年的冰岛拉基火山爆发，造成超过六百万人丧生，而随之喷出的火山灰席卷英伦乃至欧洲大陆，致令欧洲版块83%受影响。在此之后，20亿吨的火山灰遍布欧洲上空，按照某科学家的预测，拉基火山将导致板块连锁反应，引起一连串的火山喷发。与此同时，高温先是造成极地冰块融化，海平面上升，而浓浓的火山灰遮挡太阳，又致令温度骤降。冰雹、暴雪席卷世界各地，人类即将进入新一轮的冰河时期。 身处各国的不同之人，原本经营着平凡的生活，当此灾难来临之际，他们的友情、爱情、亲情以及生命即将接受最严苛的考验……©豆瓣

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

2月25日 22-23赛季NBA常规赛 尼克斯VS奇才

朦胧的青春

4位年轻的企业家在公司开会，回忆起自己学生时代，那时候赵晓峰还是一个混混模样，经常欺负同学，后来赵晓峰被社会青年欺负，得到吴泽浩陈伟星等人的帮助。吴泽浩，母亲早逝父亲离家，由奶奶带大，陈伟星父母常年外地工作，由爷爷抚养，刘文静父母离异和母亲生活，家庭条件优越，一起发生了一些感人的经历慢慢成长为企业家

祖儿在旧金山

借一次去往旧金山的机会，Joy决定联系Paul，一个给她留下美好记忆的朋友。不幸的是，Paul乘坐的飞机坠毁了。绝望的Joy不愿离开，并不幸地被下了药，成为一群别有用心之人手中的玩偶...

22-23赛季欧国联第6轮 威尔士VS波兰

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德云社德云九队天津站开业第4场2021

德云社九队天津站开业第四场演出爆笑来袭！表演节目精彩纷呈，其中包括孙九芳、马霄戎表演的《学方言》；樊霄堂、张博帅表演的《反七口》；张九南、高九成表演的《对春联》；张九龄、王九龙表演的《朋友难当》；张鹤伦、郎鹤炎表演的《捉放曹》；郭德纲、于谦表演的《拴娃娃》。精彩内容不容错过。