这部剧是关于传奇执法者巴斯·里维斯，美国历史上最伟大的英雄开拓者之一，也是密西西比河以西第一位黑人副法警的故事。
30岁的阿翁（桑尼·苏瓦美塔农SunnySuwanmethanont饰）是一名修图师，非常敬业的他几乎将所有的精力都投入到了工作之中，因为过度疲劳导致抵抗力下降，阿翁患上了皮肤病。无奈之下，阿翁只得来到皮肤科就诊，在这里，阿翁邂逅了名为阿燕（黛薇卡·霍内DavikaHoorne饰）的女医生。温柔美丽的阿燕很快就吸引了阿翁的注意，令这个单纯的男孩迅速坠入情网之中。在阿燕的要求下，阿翁积极治疗，推掉了大部分工作，学习如何自我放松。虽然阿翁的健康渐渐的恢复了，但他也因此失去了再见到阿燕的机会。更糟的是，阿翁在工作上的懈怠令他失业了。为了发泄内心里的失落，阿翁决定重新做回工作狂。
影片为《侏罗纪世界》系列的完结篇，讲述了自从恐龙进入了人类世界，侏罗纪公园已经不复存在的故事。
1935年秋天，三边特委派杨啸风以客商身份，深入马鸿逵统治的定边城搞地下工作。在赶赴定边途中，杨啸风寄宿一客栈，偶然收留一位乞讨的孩子小石头。杨啸风的善良令小石头万分感动，他紧紧跟随着杨啸风，两人一起来到了定边城。晋商王掌柜女儿王月琴带着驼队住在定边城中的骆驼店内，晚上大盗沙里狐进店抢劫，并要掳走王月琴。同样住宿在这家店里的杨啸风出面阻止，与沙里狐发生了冲突。小石头原来是沙里狐的小弟，他悄悄给沙里狐使眼色，沙里狐方才作罢，带领手下离开。王月琴对杨啸风充满感激之情。王月琴回家之后对杨啸风仍念念不忘，此时保安团团长柳斌来找月琴，结果吃了个闭门羹，他愤愤离去。定边原特委书记因叛徒出卖遇害，尸体被悬于城楼上。杨啸风组织地下党员在深夜秘密潜入城楼中夺下尸体，撤退时被守城敌兵发现，杨啸风举枪阻击，不幸臂膀中弹受伤。悄悄尾随前来的小石头将杨啸风带到了月琴家。敌兵顺着血迹追到了月琴家门前，柳斌以王家窝藏共产党人要挟月琴，让她第二天到酒楼一起用餐。月琴无奈前去赴宴，柳斌提出让月琴嫁给他，否则就前去搜查。月琴只好敷衍，让给她三天的时间考虑。在月琴的精心护理下，杨啸风身体逐渐康复。为了不连累王家，杨啸风决定速速离开，月琴恋恋不舍地送走了他。当柳斌来听月琴的答复时，月琴当场翻脸不认人，柳斌气愤万分，当场让人搜查，结果一无所获，气哄哄带人离去。杨啸风探知宁夏马鸿逵将运一批军火到定边城，他决定利用伪县长为儿子摆满月酒之际行动。正当前院大摆宴席，大谈如何剿共时，后院军火库已被炸。柳斌当场怀疑是杨啸风所为，周县长用异样的眼光看着杨啸风。周县长的二姨太要带着孩子去娘家，周县长派保安团的人随行保护。提前知道消息的杨啸风带着小石头去见沙里狐，欲与其联盟，共同对付伪军。因沙里狐与周县长有不共戴天之仇，所以他答应杨啸风的建议，在途中将周县长的二姨太劫持。地下共产党员、饭馆老板胡明创被柳斌抓起来，严刑拷打，想逼问他的接头人是谁，胡明创始终没有招出杨啸风。当杨啸风得知胡明创被抓时，他只身前往牢房，用自己换出了胡明创。月琴听闻杨啸风的事情后，前去探望，真诚地向杨啸风表白了自己对他的爱恋，并提出自己愿与他并肩作战。杨啸风被月琴的真诚所感动。周县长得知自己的太太和儿子被沙里狐劫持后，心急如焚，亲自带着人马前去讨伐沙里狐。半途中遭到沙里狐的伏击，柳斌为自保，扔下周县长自己离去，周县长成了沙里狐的刀下鬼。穷途末路的柳斌直奔月琴家，将其家丁打死，并打伤了王掌柜，将月琴强行掳走。杨啸风利用狱卒的麻痹大意，从狱中脱身而出。当从小石头口中得知月琴被掳走后，他骑马奋起直追。就在柳斌欲对月琴施暴时，杨啸风及时赶到，将柳斌开枪打死。八路军顺利攻入定边城内。一轮红日，满天朝霞，杨啸风、王玉琴迎着火红朝阳跃马飞驰而去。
『ULTRA JUMP』にて連載の人気コミックをOVA化。一風変わった硬派な男・火々雄と、突然現れた紋様族‘タトゥーンズ’の美少女ニマが巻き起こす騒動を描く。
暂无简介
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
影片根据真实故事改编。被称为“独狼”的NBA球星马布里事业陷入低谷，黯然隐退。在王牌经纪人李楠（吴尊 饰）的邀请和家人的鼓励下，马布里做出了人生中关键的决定——前往中国追寻自己的“篮球梦”。当坐在飞往中国的飞机上，背后却是他在NBA留下的辉煌和遗憾…重新焕发激情和热血的马布里，却没预想辗转到一支没落的球队，遭遇性格各异、士气低落的队友。在去留抉择间，他对意气相投的教练郑亚雷（何冰 饰）说出了唯一可以使自己留下来的条件——冠军。迎着所有人的质疑和不屑，带领着这支残兵野将的球队，两个拥有共同梦想的男人带领球队踏上了成功概率几乎为零的巅峰征程……
季玲（朱芷莹 饰）在一场意外之中失去了儿子，陷入了绝望和悲痛之中无法自拔。在整理儿子的遗物时，季玲发现了一张神秘的纸条，在纸条的指引之下，季玲决定前往人间仙境香格里拉，在那里，或许还留存着她和儿子之间的羁绊。 途中，季玲结识了名为艾利克斯（吴中天 饰）的男子，两人结伴而行，随着时间的推移，成熟稳重的艾利克斯渐渐吸引了季玲的注意。婚姻生活因为丧子之痛而陷入困境之中的季玲，无法压抑心中对于艾利克斯的感情。之后，季玲于意外之中坠入了山谷，被藏族人家收留，并因此结识了善良淳朴的藏族男孩（格桑定主 饰），在和男孩相处的这段时间里，季玲心中的阴霾和迷雾渐渐散去。
当人们为艺术市场的狂热而瞠目结舌时，往往只有一个面向被关注：金钱的迷人力量。实际上,深入探索收藏及艺术世界的纪录片并不多，但这却是大众所极为好奇的神秘圈子。《一个人的收藏》将从一个中产阶级的亚洲收藏者出发，纪录面向艺术世界时所见到的美好与荒诞。
周星星（周星驰 饰）是飞虎队队长，奉命以卧底的身份到圣育强中学寻找警司于参观时被窃的配枪。周星星就算百般无奈还是接受了任务。他很快适应了学校的生活，功夫高强的他也受到了学校众多学生的拥戴，周星星也顺势调查失枪案件。警队的另一位卧底曹达华（吴孟达 饰）也参与了这个案件，最后也与同学一起合力，帮助周星星破获一踪大型军火贩卖案件。